Tuesday, January 3, 2012

Mod iPad drawing: Dymo Label Buddy


Here's my latest iPad drawing, based on a photograph of my plastic Dymo Label Buddy. (Don't you just love products named "buddy?" Say, the Truck 'n Buddy, or the Backspin Buddy.)

Don't let puppydog-sounding products like Label Buddy lead to to think Dymo a johnny-come-lately to the punch tape label market, no. For the Label Buddy is merely a wee descendant of the 60's era steel Dymo Mite, which could brain opponents with a single swing of your wrist (and possibly remove their heads at the same time, since it cut labels not with a serrated edge but with an open rusty blade).

I got rid of my Dymo Mite. You know what they say about having a weapon in the home, you just may use it on yourself by mistake. Label Buddy is more my speed.

Sunday, January 1, 2012

Drawing typewriters with an iPad and Adobe Ideas


Some of you out there in the typosphere are posessed of drawing skills; I'm not among you, to my sincere regret. Thankfully (oh, the irony) there is, these days, a digital crutch for every weakness (thank you, GPS) and now, with an iPad and Adobe Ideas, you too can draw a pretty good typewriter based on tracing over a photograph, and you won't even need to scan it when you're finished. The only hitch? Coming up with more money than God in order to buy one.

I have a feeling most typospherians would do the math on how many fountain pens a single iPad would be worth, and would then take a pass.

Wednesday, December 14, 2011

Pen & Platen by Mike Speegle and entrepreneurship in the typosphere



Hope everyone out there in the typosphere is enjoying their Nanowrimo hangover, otherwise known as Christmas. Have been remiss in updates due to various factors, but just checking in to congratulate Mike Speegle on the publication of his book of short stories, Pen & Platen (cover designed by Typewriter Heaven's Rob Bowker? Do I have this detail correctly? Love that cover). Did you know that you can give Kindle books as gifts? And Pen & Platen is currently available for the outrageously affordable price of $1?

Now you know.

Mike Speegle is ahead of the curve here in terms of the way publishing works now; moping around the mailbox waiting for rejection letters is not the way it's done by forward-thinking writers. I just finished a class on managing your digital presence (otherwise known by the distasteful term "personal branding"), and realized that typospherians already do quite a bit of this, and well enough to have built a lively community around it. Speegle here has raised the bar by not just talking about writing, but using digital tools to get himself published, and I admire him for it.

Anyone else out there have a New Years goal of publishing, launching a business (applause also for Type-o-Matic's launch!) or otherwise turning their love for writing and writing tools into a creative enterprise? For my class in grad school I merely did some sprucing up of my resume-type web site, but still haven't thought my goals through like Bowker and Speegle (now, doesn't that sound like a law firm straight out of Harry Potter?)

In the New Year, I aspire to be more like these guys. What about you?

Monday, October 31, 2011

Leaving a typewriter behind



350 lbs of deep &^%$ (or, the Great Petaluma Typewriter Haul)
The Underwood Standard Champion

Allow me to follow on this post by saying I've never regretted giving a typewriter away. It's almost always the right thing to do, especially if it's going to someone who doesn't already have a spare bedroom full of dusty typewriter cases lying about, and is new to the hobby. If the Underwood Standard Champion was this guy's first typewriter, I could just tell by the look in his eye, it won't be his last.

Anyway, I reason that leaving a 50 lb analog writing machine behind at a giant software corporation as a parting gesture imparts a certain je ne sais quoi.

Thursday, October 6, 2011

Thursday, September 8, 2011

Can you create income with a typewriter?


In a fit of insomnia, I just read an interview with Jaron Lanier, author of You are Not a Gadget, who happens to be a personal hero of mine, in that he dares to question the trajectory of the internet and of technology toward the expectation that as individuals we freely produce information from which search aggregators profit, in the case of Google, and that technology can redefine us as consumers of paid-model content of a company's choosing simply by changing devices and paradigms, as Apple has done with the iPad:

 "The Apple idea is that instead of the personal computer model where people own their own information, and everybody can be a creator as well as a consumer, we're moving towards this iPad, iPhone model where it's not as adequate for media creation as the real media creation tools, and even though you can become a seller over the network, you have to pass through Apple's gate to accept what you do, and your chances of doing well are very small, and it's not a person to person thing, it's a business through a hub, through Apple to others, and it doesn't create a middle class, it creates a new kind of upper class. ... Google has done something that might even be more destructive of the middle class, which is they've said, "Well, since Moore's law makes computation really cheap, let's just give away the computation, but keep the data." And that's a disaster." 

By contrast, I think of the typewriter (of course). It is a device in which you define and create the content, without influence from Royal or Olympia. It provides no options to serve up advertisements or content of Royal's choosing, or shape in any way the kind of content you choose to consume and at what cost. It's only job is for you to create writing of your choice, completely outside of the connected network of online expectations about the life of information and its uses. There is no function inherently built into the device compelling you to share your work for free with a click to be monetized by Google search; we have to drag out middleman technology like scanners, cameras, and computers to make that possible, and even scans of typecasts evade the search engine's current requirement for digital text to parse. These things being the case, does the typewriter, by dint of its independence from this work-for-free system offer us the opportunity to profit from our work, in and of itself (and by means other than selling hardware on eBay, I mean, in the act of creating content itself)? Can you create wealth with a typewriter?

It would be revolutionary for one of us to show that it's possible. I'm curious to know what your wild theories are about this. Mine is this: there is a certain type of person out there who craves authentic experience, not just ideas but the tactile manifestation of authenticity: a hand-bound book, typed or hand-illustrated information, on paper. Not just nostalgics but people looking to engage their mind and creativity not with online groupthink or aggregated crowds but with the real work and ideas of individuals and artists. If the content and the quality of these publications is sufficiently high, the market may be there.

 If you take zines as a case study of this kind of thinking, the problem of free reappears in the spectre of collectivism. Any group that functions mostly on the goodwill of people can tend toward this line of thinking, that profit is immoral and freedom is benevolence. (The typosphere itself functions on this sort of value system, in fact). The problem with this thinking is that people need to earn money, full stop. It has to come from somewhere. If it can't come from, as Lanier says, "the products of our hearts and minds," if the value of those things is agreed to be zero, except by large corporations that can mine it for advertising revenue, from where does the profit come for the creators? Are we not able to create a viable market between ourselves by agreement?  Must we give our work away to the aggregators for profit, but insist that we exchange it between ourselves for nothing?

Putting this to the test, if you had only a typewriter to work with, how would you create an income with it? (Consider this a variant on a common technology interview question, in which one is prompted to come up with a monetization strategy for 1,000 ping pong balls on the spot).

Monday, September 5, 2011