
Wait-- I meant to say "returned," not "retirned." And I don't think there is an "e" in "roguish." For the record.
Clarification: The pen pal correspondence can be regular ol' typewritten or handwritten letters, mail art or zines not required (just a fun idea if you wanted to give it a try).
Are you on twitter? Let me know, I want to put you in my Twitter list: http://twitter.com/strikethru/typosphere.
Good Mail Day
A Treatise on Pedestrianism
My original visit to the IPRC
Twitter #typosphere
Sunday, February 7, 2010
Typewriter pen pals, IPRC, #typosphere
Monday, February 1, 2010
And the winner of the Knock Knock Personal Library Kit is...
The winner of the Knock Knock Personal Library kit, as chosen by my lovely assistant, the Random Number Generator, is....
Lawfrog!
Lawfrog, e-mail me your address at strikethru (at) tiny-dog.com and I will send off your prize.
Congratulations!
Thursday, January 28, 2010
Silent Type 2: Call for submissions
I mentioned a few days back that we're cranking up the old Silent Type machine once again, for an all-poetry issue. If you happened to miss issue 1, there is a PDF in the left margin of the site <----- under the typewriter graphic thingy so do check it out (although the PDF lacks the lovely cover art taken by a few members of our very own typosphere). I am out of print copies, unfortunately.
Here is my blathering set of submission guidelines. Hope to see your poems in my P.O. box in the next 2 months. (That time goes by fast, so my advice would be fire up your pens and typewriters and start composing asap!) Remember, if you don't usually write poems, this is your chance to unleash your inner [insert favorite poet here. I'm partial to Gwendolyn Brooks myself. Who's yr favorite?].
Sunday, January 24, 2010
My (late) entry in the Clickthing Crapcam Challenge
Clickthing recently challenged typospherians and interested others to take to the streets with a low-fi digital camera, otherwise known as a crapcam, to gather quick photographic impressions of one's surroundings. The point of this exercise was to skip over the fetishistic focus on Just The Right Tools and focus instead on just getting the images with whatever sad excuse for a low-fi camera you might have lying around.
Today while at Pike Place market on a classic Seattle weather day (40 degrees and raining, but in a misty sort of fashion), I busted out my 5 year old, scratched-up candy-bar style Samsung phone, which features no internet capability and only the faintest excuse for a digital camera, and took a few pictures: 





Monday, January 18, 2010
Silent Type issue 2: In the works

There are still some details to work out, but consider this a rambling notice that ST season is about to begin anew.
--historical matter--
Here are all my posts tagged "Silent Type" (including today's post) if you want learn a bit about issue 1.
Saturday, January 9, 2010
Drawing and product review: Knock Knock Personal Library Kit
I was recently offered an opportunity to review and give away an item from Knock Knock, which is OK by me, since I've purchased the Pro and Con and Paper E-mail notepads in the past (I particularly enjoy the paper e-mail, which makes a certain throwback statement when taped to someone's monitor at work).
I chose to review the Knock Knock Personal Library Kit* because it looked kind of swell, and like something that would appeal to the typosphere, a crowd generally in favor of preserving the book in print form.
This Library Kit makes an interesting statement about a nuisance we have all taken for granted until now: that books exist, and as such can be loaned or lost. What precious book is forever lost from your collection, and who still has it? In the era of the ebook, losing an inscribed hardback copy of 100 Years of Solitude to a lost love or former friend becomes instead a tech support incident regarding data corruption or DRM.

Anyway, the product: well, here you see what it contains: 20 due date cards, 20 card pockets, a date stamp and ink pad, and small pencil, the kind you might find with a stack of scrap paper next to a library catalog computer these days.
The card envelope is nice and sturdy with a space to write your (that is, the book owner's) name, and affixes easily to the inside book cover with two peel-off adhesive strips. The card itself has lines for the book title and author on the front, followed by multiple lines for borrower information that continue onto the back. (If you ever use checkout card in your books, I strongly recommend using your typewriter to fill in the book title and author information, to channel some 20th century card catalog style).
The date stamp runs through the year 2020 (incidentally, is there anything as mournful as an old date stamp where the latest year passed long ago? I've come across one or two of those in my thrift store journeys, and they always make me feel a brief mortal chill). The ink pad is serviceable (not craft-store sturdy, but OK) and the short pencil is likely to get lost within the blink of a curious preschooler's eye, but anyway, the packaging serves as a tray that can hold the whole system, like a tiny Monopoly game, if you want to store it out of reach. 
It's charming, for sure-- the cards look rather nice affixed within your favorite books, as a kind of rebuke to lazy borrowers (who are unlikely to return your tomes even with this reminder, the bastards that they are). You can find all manner of vintage or old-style library checkout cards and envelopes on eBay these days, but the modern red design of these works for me, standing out from the page a bit better than the old buff-colored classic designs. That said, if you don't loan out a lot of books, and a lot of books repeatedly, this card set would be nothing more than a novelty for you. Oh, I know you would like to fool around with the library kit, and see how a few card return envelopes look stuck to the inside of those certain volumes within your own library, but trust me, this is a practical item and should be used as such. Any librarian would agree.
If you ARE loaning out books, and can immediately think of at least 10 whose tenure in your collection might be potentially secured by this product, I strongly encourage you to put your name (and hopefully a story about a long-lost book) in the comments for this drawing-- I would love to send this right off to you.
Winner announced February 1!
**********
*I received a personal copy of this kit gratis, in addition to the one I am giving away, which will be mailed to the winner unopened. As possibly mentioned in the past, when I do product reviews or giveaways, I will disclose the origins of the product and whether I was asked to review it. If asked to review a product, I will do so if I am personally curious about or interested in the product, but still endeavor to give an honest review.
Wednesday, January 6, 2010
Digital stories about the typosphere
I just started a digital storytelling class in my grad school program, and for the first assignment, I had to tell a very short story in five slides. I decided to introduce the typosphere by telling brief stories about a few of its participants (thank you to Dirk, Monda, and Mpclemens. If the video were longer I would have included many more). Note: there is an audio voiceover.
It's not [insert genius director] work, I acknowledge, but then I think that's what the typosphere is all about: trying stuff and seeing what sticks. It's about first drafts and wite-out. It's about actually doing things and sharing things with other people, instead of sitting around thinking about it. ("And that's what Christmas is all about, Charlie Brown.")
In class I learned about something brilliant, NPR's Storycorps, which is an oral history project where a mobile recording studio records thousands of personal stories all over the United States. They provide a do-it-yourself video and written guide for people who'd like to try it themselves, as well. Don't you think this would be a perfect way to capture some typewriter tales, before its too late? How I would love to hear interviews some of you captured with typewriter sales and service people, or someone interviewing you about your typecasting work, either with video, or just audio.
Let me restate: I am challenging you to give this a try. If only to record other personal or family stories in your own lives, it's just one of those projects you'll thank yourself for doing later, when the voices you record are gone.

